heart

Series: Relationships with Chaya Rivka Zwolinski

For women only

We recognize that there are deeper truths in common idioms She is broken-hearted. Their excuses stick in my throat. I felt it in my bones. We instinctively sense that the body has messages for us beyond the physical.

In part three of The Healing Dance of Body and Soul, we’ll continue to explore the reasons that God houses our soul in this brilliantly complex home we call “my body”, the paradoxical interplay between body and soul, and a fresh yet ancient outlook on health and healing.

Topics this semester include:

  • Holistic healing and Jewish mysticism
  • Healing the Heart
  • The Emotions
  • The Lungs
  • The Neck: Exile and Exodus
  • The Throat and the Voice
  • Our Image
  • Flesh
  • Bone
  • And more

How to participate:

Use this link now to log into your live class or save it to log into the course in the future:

(https://breslovcampus.clickwebinar.com/relationships-with-c-r-zwolinski)

If you would prefer to listen to the class on the phone, call:

New York: +1 (917) 338-1451

For Other Countries: – See Global Access Numbers

When prompted, dial this code: 228877#

Currently available for iPhone – iPad – Android – BlackBerry

  1. Click on your device type above.
  2. Download the ClickMeeting Mobile App.
  3. Login by using access code: Meeting ID: 318-967-614

COURSE AUDIO/VIDEO ARCHIVE

Class 1 Monday, January 23rd, 2017


Class 2 Monday, January 30th, 2017


Class 3 Monday, February 6th, 2017


Class 4 Monday, February 13th, 2017


Class 5 Monday, February 20th, 2017


Class 6 Monday, February 27th, 2017

Time:

8:00 PM Eastern time, 5:00 PM Pacific time

Date:

Monday, Jan. 23rd – Feb. 27th (6 weeks)

Level:

Beginners through advanced, everyone’s welcome in this six-part class. You may attend as many classes as you like and no previous classes required, but students might want to view earlier classes in this series.

Instructor:

Chaya Rivka Zwolinski

Text:

Anatomy of the Soul, by Chaim Kramer.

Rebbe Nachman’s stories, Likutey Moharan, The 50th Gate, and other Breslov sources will also be referenced.